Refer for an iPad Retina reward

Refer us to a corporate client and we’ll reward you with the latest iPad with retina display.

Everyone now knows the business benefits of a light, handheld iPad. For business presentations and video, the latest Retina display is brilliant.

The Retina display features a 2048-by-1536 resolution, rich colour saturation, and an astounding 3.1 million pixels. That’s four times the number of pixels in iPad 2 and a million more than an HDTV.

Digital Tsunami is rewarding referrals (which result in a completed project), with the latest iPad.

All you need do to earn one, is refer us to a corporation. If the prospect commissions Digital Tsunami to deliver digital, video or online solutions (of a reasonable investment), we will send you a new iPad!

To refer us or for more information, contact Digital Tsunami today.

Take your time. You’ve got 15 seconds!

You don’t make a billion dollar investment, without taking measures to protect it!

Just days after Twitter‘s video platform Vine, attained more linked tweets in a day than Instagram, Facebook has moved to recapture video market share with the launch of 15 second videos on Instagram.

This was clearly a well-planned initiative. That Video on Instagram was made available simultaneously on the web, and as an app on the App Store for iPhone and iPad, and on Google Play for Android, indicates considerable preparation.

In addition to the longer duration, features such as selecting the thumbnail to represent the film, deleting frames and even image-stabilisation, are all sure to be popular with smartphone video-makers worldwide.

Is 15 seconds a practical duration for advertising?

Advertisers in some countries have been able to produce and broadcast 15 second television commercials for many years. Greater discipline and ingenuity is required than for a conventional 30 second spot, but the impact of the message is the same. A clear, strong story can be conveyed in 15 seconds, just as it can be in 30, 45, 60, 90 or 120 seconds. Success is not ensured by duration, but by the strength of the idea.

The six-second Vine format is sufficient for advertising, as Samsung and Target have demonstrated.

The Internet has dramatically expanded the scope of commercial films, as it has correspondingly reduced the cost. Investment in broadcast television airtime, has had at its pinnacle the annual US SuperBowl, during which a single 0’30” spot has (for decades) cost over a million dollars.

In order to justify this investment and maximise impact from very few screenings, advertisers had to invest even more heavily in concept and production, resulting in ever-more substantial budgets.

In contrast to this, a long running and interactive online campaign, can be achieved for a fraction of the cost. Who doesn’t remember Old Spice Man saying: “I’m on a horse”?

Upon launch in February 2010, Old Spice Man moved rapidly from a single spot into a mass awareness campaign via social media. The minds behind “Old Spice Man” comprehended and capitalised on the level of social media interest, by progressively more offbeat and quirky direct responses to online enquiries and requests, which nevertheless maintained a constant tone and inextricably promoted the brand name.

On the box. On the desk. In the hand?

Production of video primarily or exclusively for the Internet, has had a significant negative effect upon television advertising revenues, just as it has liberated advertisers from the confines of traditional advertising. Targeting can be far more specific. Interaction can be considerable. Proprietary involvement in increasingly in the hands of brand stewards, previously known by the more passive term, ‘customers’.

Social media now ensures that consumers have a far stronger voice than any brand. The brand reputation is managed by the consumers. A good story results in trusted referrals to friends (and anyone else listening). A bad story results in negative coverage to an ever widening cascade of potential consumers, who may now eschew one product or service provider while flocking to a competitor.

Incidents like the air traveller who tweeted about his guitar being damaged by an airline, causing a cavalcade of complaints against the airline, are evidence of this economic power.

The growth of online video

Vine only launched in January, so its growth has been astronomical. It comes as time spent watching video on mobile devices has doubled, and year on year, the volume of video viewed on handheld devices (relative to desktops) is also doubling.

Tablets have outstripped smartphones as a video viewing platform. Handheld devices are now the platform for more than 10 percent of all online videos viewed. Consumers are watching more and longer, live video on handhelds, in preference to watching television.

In a year, (which we at  Digital Tsunami consider to be the Year of Video, Mobile and Social), the constantly accelerating rate of change is becoming ever more visibly apparent.

With the expertise to produce a global video, 15 second story or 6 second ‘blipvert’, Digital Tsunami enables you to maximise the exceptional ROI of online video. Contact Digital Tsunami today.

 

About Instagram

Instagram, the online photo-sharing and social networking service that was launched on October 2010, and within 18 months, was acquired by Facebook for approximately $1 billion in cash and stock.

About Digital Tsunami

Founded in 1996, Digital Tsunami is an agile digital agency, delivering effective marketing communications across mutliple media to recognised brands around the globe, including Abbott, Cathay Pacific, Citizen, Merck and Mercedes-Benz.

About Andrew W Morse

Before founding Digital Tsunami, Andrew W Morse was a Director and Producer of television commercials and Investor’s Representative on feature films in Hong Kong, and Production Manager of feature films and major mini-series in Australia. He has worked in film and video since 1979.

Mobile video consumption. The latest statistics.

Over the 12 months to 2013, time spent watching video on mobile devices has doubled.

In the first 3 months of 2013, the market share of video viewed on handheld devices grew by 19 percent.

In a 24 hour period on 7 June, tweets with links to Vine, exceeded those to Instagram. Within 2 weeks, they doubled!

Digital Tsunami has proclaimed 2013 the Year of Video, Mobile and Social.

Here are the latest statistics which demonstrate massive growth in these 3 marketing platforms.

Tablets have passed smartphones as the most popular device for viewing video. A chart from Silicon Alley Insider shows that in January, tablets oustripped mobile as a video platform.

chart-growth-of-mobile-video_130620

Mobile and tablet video now comprise more than 10 percent of all online video views. In Business Insider of 20 June, Steve Kovach states, “In the past year alone, video-watching on mobile devices has doubled.”

The statistic was extracted from Ooyala’s Q1 2013 Global Video Index. After doubling in 2012, the share of tablet and mobile video increased by 19 percent in the first quarter. At this rate of expansion, it is on track to double again in 2013.

The data sample used in this report covers the first quarter of 2013. All video data was collated from an anonymous cross-section of Ooyala’s global customer and partner database, anonymized and in real time.

Across the Asia/Pacific, on all devices, live video dominates Video on Demand (VOD). On average, people streamed live video longer than VOD. Tablet video viewers watched live video 4x longer, and mobile audiences tuned in to live video 3x longer.

The report also revealed that the most watched duration was 1 to 3 minute videos, (cf: less than 1 minute, 3-6 minutes, 6-10 mins, 10-30 mins, 30-60 mins).

The completion rate (at which viewers watch a portion or all of a video), demonstrates a direct inverse relationship with duration. The shorter the video, the more people watch it all.

Reinforcing this statistic is the recent revelation that Vine has passed Instagram in the total number of tweet links. In Marketing Land, Matt McGee wrote “Still not sure about the idea of making and sharing six-second looping videos? .. on Friday there were more Vines shared on Twitter than Instagram photos.”

Instagram, the online photo-sharing and social networking service that was launched on October 2010, has become a global hit, and 18 months later, was acquired by Facebook for approximately $1 billion in cash and stock.

Founded by Twitter, the six-second looped video platform Vine, launched in January 2013. So in just 5 months, the ‘established’ platform Instagram, with over a hundred million users worldwide, has been surpassed in social links by the 5 month old Vine!

Topsy Analytics calculated 2.37 million links to vine.co on Twitter compared to 2.14 million links to instagram.com, over the same 24-hour period. It was only on June 3, that the Android app was launched. The preponderance of Android smartphones across Asia may have contributed to this growth. Vine has become an immediate hit on Android. Within the 2 weeks since, tweets have doubled (as at 09:00 on 19 Jun), with 1,144,187 tweets linking to Instagram, compared with 2,308,317 tweets linking to Vine.

Any doubts over whether people would want to make or watch videos limited to six seconds have been allayed. Brands are increasingly adopting Vine, including Samsung and Target. Vine is perfectly suited to concise animations of all types, but has clearly prompted creativity.

Digital Tsunami has been producing online video since 1996. Company founder Andrew W Morse first worked in film production in 1979, and has worked with globally recognised brands including Mercedes-Benz, Merck, Citizen, Cathay Pacific and Abbott.

While at Essential Asia in 1993, Morse produced and directed television commercials in the style of a computer game, for US food brand Tootsie Roll. He states “We developed a licensed character based on the fruit gummy product, an environment with challenges and rewards which emphasised the nutritional benefits of the product, then used fast moving ‘2 and a half D’ cel animation, with integrated sound effects consistent with those of a computer game.” The spot was produced in multiple languages for terrestrial and satellite broadcast across Asia.

With the expertise to produce a global video or a six-second ‘blipvert’, Digital Tsunami enables you to maximise the exceptional ROI of online video.

To promote your brand effectively with social, mobile and video, across all languages, geographic regions and platforms, contact Digital Tsunami today.

 

Sources:
Ooyala Global Video Index Q1 2013
Global Web Index
Business Insider Chart of the Day
Silicon Alley Insider
Marketing Land “Vine passes Instagram total Twitter shares”
Topsy Analytics
Instagram
Digital Tsunami on Twitter
Vine
Digital Tsunami on YouTube

Dynamic infographic on .. well, Infographics!

To explain the rationale behind the visual presentation of facts, and promote the benefits, Manchester infographic studio NeoMam has produced a dynamic parallax scrolling infographic.

Built in HTML5 (the cross-platform compatible successor to Flash), the infographic clearly reinforces the power of visualising information.

13 Reasons Why Your Brain Craves Infographics

13 Reasons Why Your Brain Craves Infographics [Infographic] by the team at NeoMam

View more infographic blogs

View more infographics on Pinterest

Source: neomam.com

A refined interface for LinkedIn

LinkedIn has continued its interface evolution with the launch of a refined format.

Amongst the latest changes are:

  • replacement of the LinkedIn logo with the “in” icon (in the top left of the screen)
  • a hidden main nav, which slides down when the cursor is at the top of the page
  • status updates elevated to the top of the page
  • People You May Know and Ads duplicated at the top and bottom of the sidebar
  • ‘bottomless’ content in the main panel, which populates as you scroll down
  • larger images for profiles
  • larger pop-out panels on rollover of profile images in People You May Know
  • the ability to follow ‘Channels’
  • the ability to follow ‘Influencers’

The Influencers concept is incorporated in a highly graphic format with columns of photographs integrated with news items, the author’s portrait and follow link. Pardon the pun, but this format ‘follows’ a style which has already been well-established by publishers and social networks, so it is perhaps unsurprising that LinkedIn is bringing it to the world’s professional online network.

One aspect of the Influencers module which may be unpopular with some, is that profiles are automatically following multiple Influencers, which if preferred, have to manually ‘unfollowed’!

I am sure that the strategy is intended to engage members in the process, but not everybody desires to follow business-people simply because they are well-recognised.

The LinkedIn format changes continue the continual cross-pollination of components between major online players (business, entertainment and social).

A process which is likely to continue.

Comsec trilingual responsive site launched

Digital Tsunami has launched yet another site built with “responsive design” which dynamically reformats to present the most appropriate (and readable) content in the desktop, laptop, tablet or smartphone on which it is viewed.

The Hong Kong company formation and corporate secretarial and accountancy services provider, Comsec has been a Digital Tsunami client since 1999. During those many years, new logos, stationery and three iterations of web presence have been delivered. The web presence has always been trilingual (simplified Chinese character, traditional Chinese character and English versions).

The site integrates frequently updated company name lists (in Chinese characters and English) to be uploaded by Comsec, and detailed online application forms, (which revolutionised the sector when first introduced on the Comsec website early this century).

This latest iteration features extensive search engine optimisation (SEO) and a responsive design. It responds to the width of the screen by both browser resizing on a desktop or laptop and device orientation on a handheld. In handhelds, the navigation appears in a highly legible, pull-down-menu format.

All of this is achieved within a single highly search engine optimised, WordPress CMS.